i'll explain it....
...
the entire piece is based on two arpeggios... Maj9, Min9... so in C... C,E,G,B,D... and the minor C,Eb,G,Bb,D
the piece will begin with either one of those arpeggios, and whenever the algorithm plays one of them, it chooses to put the sequence of notes up or down either one or two semitones, and changes the time gap between both each note in the arpeggio and in between an arpeggio being played by a very small division of a second, again either up or down. timbraly, all 5 of the pieces are the same, but each and every time the algorithm is activated, the piece will be totally different.
that's how "Dawn 1-5" works... "How To Spot Ghosts" is a bit different;
each time a task is played, it chooses to play a single (i think) 10 second long note from a bank of chromatics... low, low-med, high-med, high. the higher notes are much more likely to be played than the lower ones, and have a very short "wait" time, meaning the note is played and the another task is quickly selected.
How to spot ghosts works much better as a long track, and i thought that Dawn worked much better as just a collection of short recordings of the algorithm. ideally i'd have liked to record both of the pieces in a room with natural acoustics, but at present i have no microphone or useful interface to use.
thanks for taking the time to listen guys, and thanks for the positive comments
